The Modern to screen Vernon Fisher documentary, host panel on Fort Worth artist’s legacy
A panel of Vernon Fisher’s peers will discuss his artistic legacy following the Fort Worth debut of a documentary about his life and work.
Tarrant County
$5.3 million loan default, delinquent taxes darken Isis theater’s future in Fort Worth
Downtown Cowtown at the Isis is facing a major loan in default, six figures in back taxes and alleged late or missed payments to employees.
Fort Worth Museum of Science and History’s accreditation status reinstated
The FWMSH announced that its accreditation status was reinstated Nov. 28.
Owners of Downtown Cowtown at The Isis announce change in operations
The couple at the helm of a historic Stockyards-area theater announced they are stepping away.
October photo contest winner is full of crazy costume ideas for next year’s Halloween
Fort Worth mother’s handmade Halloween costumes have won hearts and contests over the years. She also is a winner in the Fort Worth Report photo contest.
Entrepreneur, artist creates nonprofit for emotional storytelling artwork
Tarrant County resident Brittany Scott shares journey creating religious art and a nonprofit.
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Movie reviews
‘Saltburn’ Review: Barry Keoghan delivers an audacious performance in Emerald Fennell’s devilishly entertaining eat-the-rich satire
Writer-director Emerald Fennell goes from a ‘Promising Young Woman’ to an inauspicious young man with her follow-up to the 2020…
‘Napoleon’ review: Ridley Scott rewrites history, cuts to the chase, and has fun with the French Emperor while Joaquin Phoenix scowls his way through the epic biopic
Ridley Scott’s sweeping epic “Napoleon” is the CliffsNotes version of the French Emperor’s reign beginning with the siege of Toulon…
‘The Holdovers’ Review: Alexander Payne and Paul Giamatti reunite for a 70s comedy and instant holiday classic
Almost two decades after director Alexander Payne and actor Paul Giamatti collaborated on the wine country comedy “Sideways” the two…
‘The Mission’ Review: John Chau tried to bring Jesus to the natives and paid for it with his life
Directors Amanda McBaine and Jesse Moss take a comprehensive look at the tragic end to the life of young American…
‘Thanksgiving’ is no turkey as Eli Roth carves his own path into a holiday-themed horror franchise by serving up a feature stuffed with gore, comedy, and nostalgia.
The only thing missing from the opening scene of “Thanksgiving” is John Carpenter’s “Halloween” score. There’s a mask, a POV…
‘The Killer’ Review: Michael Fassbender takes you inside the mind of an assassin in David Fincher’s 70s-style thriller
Stick to the plan, trust no one, forbid empathy, anticipate, don’t improvise; The mantra of Michael Fassbender’s assassin is repeated…
‘Priscilla’ Review: Caught in a trap, she can’t walk out, because she loves him too much …
Based on the 1985 memoir “Elvis and Me” by Priscilla Beaulieu Presley who serves as the executive producer, Sofia Coppola’s…
‘The Persian Version’ Review: At the heart of Maryam Keshavarz’s semi-autobiographical and funny film lies the close bond between a mother and her daughter
Maryam Keshavarz’s semi-autobiographical “The Persian Version” is a bit overwhelming at times as the writer-director focuses on three generations of…
Dallas native Chase Joliet’s must-see addiction drama ‘Grapefruit’ screens today at the Lone Star Film Festival with first-rate performances by Rosanna Arquette and Steph Barkley
Addiction, second chances, and the mother-son dynamic intertwine in the directorial debut by Dallas native Chase Joliet. “Grapefruit” features accomplished…
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